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<![endif]--><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"><font style="font-size: 12pt;" size="3">Auditions for</font> </span><span style="font-size: 18pt; font-family: "Calibri","sans-serif";">Approaching Simone</span><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"> </span><span style="font-size: 14pt; font-family: "Calibri","sans-serif";">by Megan Terry </span><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">will be held on <br>Tuesday, May 31 and Wednesday, June 1, 7:00 to 10:00 pm</span><br><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">at Maureen Stapleton Theatre, Siek Campus Center, Hudson Valley Community College</span><br><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">80 Vandenburgh Avenue (Route 4), Troy, NY, 12182</span><br><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"></span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Performances will take place on Friday, Saturday, and Sunday, July 29, 30, and 31 at HVCC’s Maureen Stapleton Theatre. <br>The play is being produced as a Master’s Thesis final project and will be directed by Rosanne Raneri.</span></pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Auditioners will be asked to read from the script, to sing four bars of any song without accompaniment, <br>and to participate in a simple improvisation that involves movement. Prepared monologues are not required. </span><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">For more information please contact Rosanne at </span><a href="mailto:rosanneraneri@msn.com"><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">rosanneraneri@msn.com</span></a><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"> </span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"></span><u><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Approaching Simone</span></u><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"> tells the compelling story of philosopher and activist Simone Weil, who believed that “a<span style="">ttention is the rarest and purist form of generosity.” <br>The play chronicles Weil’s unusual life, and emphasizes the socio-political forces that shaped her outlook and the opposition her extreme determination and <br>altruism received. Weil dedicated herself to those who suffered and were oppressed, and sought to change society’s negligence and apathy. </span></span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">*<u>Important note</u>: This provocative play falls under the new realism category; it will combine elements of conventional realism and non-realism. <br>Actors will be asked to do some vocalizing and singing, and to occasionally move in unconventional or abstract ways. <span style=""> </span></span><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"><span style=""> </span></span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Plot: Brilliant, sympathetic Simone Weil, living in France in the 1920s, 30s, and early 40s, feels a strong desire to be of service and <br>acts out against her family’s wishes. She struggles with her family’s disapproval, and the onset of severe headaches. Weil becomes <br>a teacher and promotes independence, bold thinking, and altruism, but is fired for her progressive methods and outlook. As she develops <br>her intellectual awareness and compassion, she begins to form the philosophy that leads to her eventual acclaim, but she battles her own <br>low self-esteem and the doubts of others. Her interactions with family members, friends, employers, comrades, priests, and political officials <br>reveal the complex personal negotiations that structure society and reality. She becomes a factory worker, and goes to fight in Spain. After <br>experiencing war up close, she becomes an activist and tries to persuade officials to let her be of service to soldiers on the front line during <br>World War II. Finally, Simone (age 34), in sympathy with those starving in France during the war, starves herself to death. This ultimate activism <br>inspires many questions about responsibility and the welfare of our fellow human beings. <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span></span></pre><pre><u><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"><br>AVAILABLE ROLES for 4 women, 3 Men </span></u></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Simone: 20 – 35 years old, fiercely intelligent, direct, idealistic, sympathetic, sensitive, <span style=""></span>passionate, an extreme activist, <br> perhaps a bit innocent but old for her age </span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Carolina/Ensemble member: 20 – 45 years old, African-American, jazz/blues singer, bright,<span style=""> </span>charismatic, likable, flirtatious, gutsy</span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Two Female Ensemble members: 20 – 50 years old. Each actor will play a variety of<span style=""> </span>roles and will have the opportunity <br> to explore a range of characteristics and states of <span style=""></span>being. Roles that will be assigned include chorus/narrator, <br> Simone’s mother, friend, <span style=""></span>student, doctor, comrade, school board member, worker, soldier. </span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Three Male Ensemble members: 20 – 50 years old. Each actor will play a variety of roles<span style=""> </span>and will have the opportunity <br> to explore a range of characteristics and states of being.<span style=""> </span><span style=""></span>Roles that will be assigned include chorus/narrator, <br> Simone’s father, mentor, friend, <span style=""></span>priest, comrade, school board member, manager, worker, official, soldier. </span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"><span style=""> </span>*The Ensemble members are an essential, vital part of the play, and for this production are considered principle roles.<span style=""> </span></span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";">Rehearsals will begin the first week of June. Dates and times will be arranged with actors, but rehearsals may be scheduled on <br>Sunday, Monday, Tuesday, Wednesday, and/or Thursday evenings from 6:30 to 10:00 pm in June, and on Sunday, Tuesday, Thursday, <br>and Friday evenings from 6:30 to 10:00 pm in July. There may occasionally be rehearsals scheduled on Saturdays or Sundays during the day.</span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"> </span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"> </span></pre><pre><span style="font-size: 12pt; font-family: "Calibri","sans-serif";"> </span></pre> </body>
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