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<p class="MsoNormal"><b><span style="font-size:11.0pt">Capital Repertory Theatre, LORT D<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">EQUITY PRINCIPAL AUDITIONS 2018-19 SEASON<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Producer: Capital Repertory Theatre, 111 N. Pearl St., Albany, NY 12207<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Producers: Maggie Mancinelli-Cahill, Producing Artistic Director; Philip Morris, CEO<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Contract: LORT D (minimum $685/wk + p&h)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">NY Casting Director: Stephanie Klapper, csa<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Monday, April 16
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">9:30AM-5:30PM
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">AEA – 165 W. 46<sup>th</sup> St.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Studio A
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">NYC 10036
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Thursday, April 19
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">10AM-6PM<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Capital Rep, 111 N. Pearl St.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Albany, NY 12207<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Requirements: Bring short (no more than 1-minute) prepared comic monologue (Shakespeare or contemporary) and/or 16 bars of country-western song played on guitar (actors should bring guitar and accompany themselves)
or 16 bars of romantic ballad, photo/resume stapled together. Please bring sheet music in the key in which you want to sing. Producing Artistic Director and Assistant Artistic Director will be present. Accompanist provided for actors not playing guitar.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">All ethnicities<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><u><span style="font-size:11.0pt">For Albany Audition:<o:p></o:p></span></u></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">AEA: </span></b><span style="font-size:11.0pt">Appointments on request but not required |
<a href="mailto:casting@capitalrep.org">casting@capitalrep.org</a> <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Non-Union: </span></b><span style="font-size:11.0pt">Please submit headshot and resume for consideration to
<a href="mailto:casting@capitalrep.org">casting@capitalrep.org</a> you will be contacted with an appointment time.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">All those without an appointment will be seen as time allows with AEA members given priority.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">2018-19 Season: <b>RING OF FIRE, THE ROYALE, MISS BENNET: CHRISTMAS AT PEMBERLEY, RED MAPLE</b> and
<b>SHAKESPEARE IN LOVE</b>. Capital Rep also conducts a 3-day new play reading series, NEXT ACT (June 2-4)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Seeking Union and Non-Union Actors (Non-Union in
<i>Miss Bennet </i>and <i>Shakespeare in Love</i>)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Production</span></b><span style="font-size:11.0pt">:
<b>RING OF FIRE</b>, the music of Johnny Cash, Book by Richard Maltby, Jr., Conceived by William Meade<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Synopsis:</span></b><span style="font-size:11.0pt"> Musical bio revue about the ups and downs of the life of Johnny Cash, told through 31 of his beloved country hits.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Director:</span></b><span style="font-size:11.0pt"> Maggie Mancinelli-Cahill; Music Director: Josh D. Smith; Choreographer: Freddy Ramirez<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Dates:</span></b><span style="font-size:11.0pt"> Reh starts: 6/12/18; previews: 7/6-8; opens 7/10; closes 8/12/18.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Seeking: <b>(4) m (1) f<o:p></o:p></b></span></p>
<p class="MsoNormal"><b><u><span style="font-size:11.0pt">All actors in RING OF FIRE must play musical instruments. The instrumentation is flexible, but each actor needs to play guitar:</span></u></b><b><span style="font-size:11.0pt"> lead, rhythm or bass
–</span></b><span style="font-size:11.0pt"> Other instruments sought: fiddle, trumpet, stand-up bass. We will be looking to create an ensemble of versatile, charismatic actor/musicians who know country music and can bring the spirit of Johnny Cash alive, by
serving as narrators, friends and family, performing 31 songs of his career. All actors have to exude Cash’s persona at different times in his life, from young country boy to the iconic “Man in Black.”
<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Males:<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">David, Eddie, Mark</span></b><span style="font-size:11.0pt">: singer/actor/musicians - (age 20-40) baritone or bari-tenor, all play guitar – other instruments welcome: fiddle, harmonica, trumpet, banjo,
etc. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">J<b>ason</b>: (mature) must have a low D, plays guitar – other instruments welcome: fiddle, harmonica, trumpet, banjo, etc.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Female:<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Trenna: </span></b><span style="font-size:11.0pt">singer/actor/musician: (late 20s-40) country singer/actress. Plays everything from a farmhouse mother to June Carter. Prefer to play guitar<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Production</span></b><span style="font-size:11.0pt">:
<b>THE ROYALE</b> by <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Director</span></b><span style="font-size:11.0pt">: Megan Sandburg-Zakian<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Dates:</span></b><span style="font-size:11.0pt"> Reh. Starts: 8/28/18; previews 9/21-23; opening night 9/25/18; closes 10/14/18<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">NOTE:</span></b><span style="font-size:11.0pt"> This production is a remount. All roles are cast.<u><o:p></o:p></u></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Production:</span></b><span style="font-size:11.0pt">
<b>MISS BENNET: CHRISTMAS AT PEMBERLEY</b> by Laura Gunderson and Margot Melcon<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Synopsis: This charming imagined sequel to Jane Austen’s PRIDE AND PREJUDICE brings the Bennet daughters alive again at a Christmas gathering in the home of the Darcys. Elizabeth, now married to Mr. Darcy
and Jane (now expecting a child with Charles) are blissfully happy; Lydia, saddled to the ill-suited Mr. Wickham, denies her unhappiness with her continued flirtations. The awkward middle-sister, Mary, has blossomed into an intelligent, curious young woman
and now, with the help of fate and her sisters, she meets her soulmate, Mr. Arthur De Bourgh.
<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Director:</span></b><span style="font-size:11.0pt"> Maggie Mancinelli-Cahill<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Dates:</span></b><span style="font-size:11.0pt"> Reh start: 10/30/18, previews: 11/23-25; opening night 11/27; closes: 12/23/18<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Seeking: (5) f (3) m<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:11.0pt">NOTE: All actors must possess versatile verbal skills and standard British accents. Ethnically diverse cast sought.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Females:<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Mary Bennet,</span></b><span style="font-size:11.0pt"> (20s), a “late bloomer.”. The middle sister, who the family believes will end up a spinster. However, the once plain and awkward girl has grown into
a smart, intelligently-curious young woman. She doesn’t suffer fools, loves the company of a good book, but is ready to open her heart and mind to the right person.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Elizabeth Bennet-Darcy</span></b><span style="font-size:11.0pt">: (mid-late 20s), confident, attractive, terribly intelligent and winning. Perceptive, Compassionate, tolerant. A wonderful hostess.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Jane Bennet-Bingley</span></b><span style="font-size:11.0pt"> – (mid to late 20s), the “prettiest Bennet” daughter, now happily married to Charles Bingley and 7-months pregnant. Sweet, kind and optimistic.
<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Lydia Bennet-Wickham </span>
</b><span style="font-size:11.0pt">– (20s) flirtatious and self-centered as ever, Lydia is still the life of any party and capable of stirring up fun and trouble.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Anne De Bourgh: </span></b><span style="font-size:11.0pt">(mid to late 20s) – a chip off the block of her mother, Lady Catherine and just as judgmental and privileged. Wealthy and pampered. Used to getting
her way<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Males:</span></b><span style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Arthur De Bourgh: </span></b><span style="font-size:11.0pt">(20s) – Studious, seemingly aloof, socially awkward, especially around women, intelligent. Prefers books to people. Wealthy. Capable of great
love, but doesn’t know it, until he meets his match in Mary.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Fitzwilliam Darcy: </span>
</b><span style="font-size:11.0pt">(30ish) - The hero of PRIDE AND PREJUDICE, Mr. Darcy is now a generous, and loving husband. Considerate host. Quiet, thoughtful, observant; he sees what others miss. Embodies his distinguished pedigree, attractive, highly
intelligent.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Charles Bingley: </span></b><span style="font-size:11.0pt">(late 20s) – Generous, kind and happy: An attentive and loving husband, he dotes on his wife, Jane. He is a good friend, ready to help and meet
you with a smile.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Production</span></b><span style="font-size:11.0pt">:
<b>RED MAPLE </b>by David Bunce<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Synopsis</span></b><span style="font-size:11.0pt">: This hilarious comedy about suburban empty-nesters was the hit of the theatre’s Next Act new play summit and will have its world premiere at Capital Rep.
The play takes place over dinner when four longtime friends gather and Robert makes an announcement that rocks their world. Things really heat up when a guest shows up who is not what or who she appears to be.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Director: </span></b><span style="font-size:11.0pt">Margaret E. Hall<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Dates: </span></b><span style="font-size:11.0pt">Reh start: 1/2/19, previews: 1/25-27, opening night 1/29/19, closes: 2/17/19<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Seeking: (2) m; (3) f<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Male<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Robert: </span></b><span style="font-size:11.0pt">(50s) College professor facing retirement; he’s gone off the rails trying to navigate his looming retirement. A searcher his whole life, usually overly
intellectual and rational, now super enthusiastic and energized by what he believes is a solution to his problems.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">The role of <b>John<i> </i></b>is cast.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Female<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Stephanie </span></b><span style="font-size:11.0pt">(late 40s-early 50s) Attractive, suburban, smart, happily married. Tries to do the right thing. Loyal friend. Resourceful in a pinch and surprisingly
ruthless. Not used to stepping outside her comfort zone, but when she does, she’s very funny.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Karen: </span></b><span style="font-size:11.0pt">(late 40s-late 50s) Sassy, Attractive. Sophisticated career woman – buyer at Saks. Acerbic wit. Takes her husband for granted until now. When pushed, she
pushes back. Protective to a fault and feisty under pressure. Versatile comedienne.
<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Jennifer/Teresa </span></b><span style="font-size:11.0pt">(late 20s-30s) Disarmingly charming and completely innocent façade. Underneath lurks the heart of an assassin – well, maybe. This former elementary
school teacher, single mom has taken a job as a hitman to make ends meet and comes to the party in the guise of a realtor. Very funny comedienne.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Production: SHAKESPEARE IN LOVE</span></b><span style="font-size:11.0pt">, based on the screenplay by Marc Norman & Tom Stoppard, adapted for the stage by Lee Hall.<b>
<o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Synopsis: </span></b><span style="font-size:11.0pt">Will Shakespeare has writers block. Aided by his friend, Kit Marlowe and his company of ragtag players, he begins a new play called
<i>Romeo and Ethel, The Pirate’s Daughter.</i> As producers Henslowe and Fennyman pressure the young Bard to finish the play, Will meets a young man, perfect for the role of Romeo – but he turns out to be a she, Viola – his muse and true love. Inspired, Will
and Viola become the star-crossed lovers of his masterpiece, <i>Romeo & Juliet</i>.<i>
</i>This rich and bawdy play brings stage and backstage to life in a play-within-a-play style, where all actors are part of a “company of players,” some actors play multiple parts, sing, dance and engage in stage combat (some sword play, some brawling). The
entire company needs to be well-versed in Shakespearean language, physically dexterous, – and comedic.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Director: </span></b><span style="font-size:11.0pt">Maggie Mancinelli-Cahill<i><o:p></o:p></i></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Dates: </span></b><span style="font-size:11.0pt">Reh start: 3/12/19, previews 4/5-7, opening night 4/9 closes 5/12/19.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Seeking: (AEA) 8 (m) 2(f) </span>
</b><span style="font-size:11.0pt">(other roles will be played by non-pros)<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">NOTE: <u>Actors with animal sensitivities:
</u>There is a dog in SHAKESPEARE IN LOVE. The dog will be present on and off stage. All actors will come in contact with the dog.<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Doubling: Doubling assignments may change based on auditions.<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Female:<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Viola De Lessups </span></b><span style="font-size:11.0pt">(mid 20s-30s) Passionate. Confident. Master of Shakespearean verse and poetry. Romantic. Lovely. Physically agile. Must be a believable boy as
well as a young noblewoman. <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Queen Elizabeth/Molly </span>
</b><span style="font-size:11.0pt">(30s-50s) – Queen: Regal, commanding presence. Facile with language. High status. Molly: one of the favorite strumpets in the local tavern. Fun. Sassy.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Male<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">The roles of Henslowe and Robin/Frees/Musician are cast.<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Will Shakespeare </span></b><span style="font-size:11.0pt">(late 20s-mid 30s) Smart, sexy, charismatic, earthy but capable of great romance, desperate to find his muse again, very physical, facile with
language and stage combat.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Kit Marlowe </span></b><span style="font-size:11.0pt">(late 20s-early 40s) The brains behind Will, his best friend. A working playwright, funny, brilliant, generous, facile with language and stage combat.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Fennyman </span></b><span style="font-size:11.0pt">(40s-50s) Ruthless loan shark who becomes a theatre producer. Rough and tough – somewhat gangster mentality. Not afraid to get his hands dirty when collecting
debts. Turns into a theatre diva when he’s cast as the Apothecary. Facile with language. Very funny.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Ned Alleyn </span></b><span style="font-size:11.0pt">(late 20s-30s) Pompous, egotistical, the most popular leading man of his day for good reason. He’s really a very good actor. Attractive, athletic – and
ultimately has great respect for the theatre and Shakespeare. Plays the part of Mercutio in
<i>R&J. </i>Must have experience in sword play.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Lord Wessex </span></b><span style="font-size:11.0pt">(late 20s-mid 40s) A nobleman with a title but no money. Embodies his high status and breeding. Full of himself, priggish, steeped in the conventional
and domineering. Used to getting his own way. Engaged to Viola for her dowry. Jealous and hot-headed. Athletic – must have experience in sword play.<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Richard Burbage </span></b><span style="font-size:11.0pt">(40s-50s) Owner of a competing theatre and its leading actor. Melodramatic. Overbearing. Big presence. “The old school” actor of his day. Funny.
Engages in stage combat.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Non-pro roles:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">John Webster (juvenile) Tilney/Sir Robert De Lesseps Kate/Mistress Quigley<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Sam Adam/Boatman Viola’s Nurse<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Ralph Peter/Valentine<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt">Wabash Musician: Nol/Lambert<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"></span><o:p></o:p></p>
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