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<p style="margin-top:0;margin-bottom:0">Apologies - the correct date for our local EPAs is
<u>Monday, <b>April</b> 22, 2019.</u></p>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> Alana Canty-Samuel<br>
<b>Sent:</b> Wednesday, April 3, 2019 12:45:55 PM<br>
<b>Subject:</b> CAPITAL REPERTORY THEATRE 2019-20 SEASON - ALBANY, NY EPA (4.22.19)</font>
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<p style="margin-top:0; margin-bottom:0">Capital Repertory Theatre will hold its local EPAs for the 2019-2020 season on Monday, August 22, 2019 at Capital Repertory Theatre, 111 N Pearl St, Albany, NY 12207. </p>
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<span style="font-family:Calibri,Helvetica,sans-serif,serif,EmojiFont">Equity rules mandate that union actors are seen first, but we will do our best to accommodate all actors in an efficient way. </span></p>
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<span style="font-family:Calibri,Helvetica,sans-serif,serif,EmojiFont">As a reminder, Equity actors do not require appointments. Please bring your Equity Membership Card.</span></p>
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<span style="font-family:Calibri,Helvetica,sans-serif,serif,EmojiFont"></span><span style="font-size:12pt">Non-pro actors must submit current </span><span style="font-size:12pt">headshot and resume to casting@capitalrep.org to be considered for auditions. Selected
non-pro actors will receive an email with a 1 hour time slot in which they may be seen.</span></p>
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<div><b style="font-size:12pt">Salary</b><span style="font-size:12pt">: LORT minimum $696/week (goes up to $717/week on 2/16/20) + P&H</span><br>
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<div><b>PERSONNEL</b> </div>
<div>Maggie Mancinelli-Cahill, Producing Artistic Director (in attendance) Margaret E. Hall, Assistant Artistic Director (in attendance)</div>
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<div><b>OTHER</b> </div>
<div>An Equity Monitor will not be provided. The producer will run all aspects of this audition.</div>
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<div>Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers
of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.</div>
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<div>Always bring your Equity Membership card to auditions.</div>
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<div><b>SEEKING</b> </div>
<div>Equity actors and singers for various roles in the upcoming season.</div>
<div><span style="font-size:12pt">PSM And ASM positions are filled. SM/ASMs may submit for future consideration (see separate notice on casting call for info)</span><br>
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<div><b>BREAKDOWN</b> </div>
<div>Capital Repertory Theatre 2019-20 Season </div>
<div><span style="font-size:12pt">Maggie Mancinelli-Cahill, Producing Artistic Director (in attendance) Margaret E. Hall, Assistant Artistic Director (in attendance) </span><br>
</div>
<div><span style="font-size:12pt">Capital Rep is a 300-seat, LORT D theatre, operating since 1981 in Downtown Albany, NY. The 2019-20 season starts in 6/19 and runs through 8/20. </span><br>
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<div><b style="font-size:12pt">Salary</b><span style="font-size:12pt">: LORT minimum $696/week (goes up to $717/week on 2/16/20) + P&H </span><br>
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<div><b style="font-size:12pt">OTHER</b><span style="font-size:12pt">: Capital Rep encourages actors of all ethnicities, generations and sexual identities to audition for all parts.</span><br>
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<div><span style="font-size:12pt"><b>Stage Manager info:</b> PSM And ASM positions are filled. SM/ASMs only may submit resumes to: </span><span style="font-size:12pt">bcurry@capitalrep.org for future consideration</span><br>
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<div><b>THE FULL MONTY</b></div>
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<div>Book by Terrence McNally, Music and Lyrics by David Yazbek</div>
<div>Reh starts 6/11, previews 7/5-7, opens 7/9, closes 8/11</div>
<div>Directed by: Maggie Mancinelli-Cahill, <span style="font-size:12pt">Chor</span><span style="font-size:12pt">: Freddy Ramirez, </span><span style="font-size:12pt">Musical Dir</span><span style="font-size:12pt">: Josh D. Smith</span></div>
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<div><b>Synopsis</b>: While spying on their wives at a “Girls’ Night Out” trip to a male strip club, a group of <span style="font-size:12pt">unemployed Buffalo steelworkers come up with a bold way to make some quick cash by stripping. </span><span style="font-size:12pt">Based
on the cult film of the same name, this ten-time Tony Award nominee is filled with heart.</span></div>
<div><b>NOTE</b>: there is very brief full nudity in the show. All actors need to be comfortable with their bodies to <span style="font-size:12pt">be in various states of undress.</span></div>
<div><b>NOTE</b>: Roles of Vicki, Jerry and Harold are cast. Role of Nathan will be cast with a local teen actor.</div>
<div><b>Seeking principals:</b></div>
<div><b style="font-size:12pt">(3) Females:</b><br>
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<div><b style="font-size:12pt">Georgie</b><span style="font-size:12pt"> – 30s-40s, warm, down to earth, Dave’s wife, sassy spitfire, supportive wife, loving, high </span><span style="font-size:12pt">alto/mezzo belter</span></div>
<div><b>Jeanette</b> –40-50+ - piano player, seen it all, been there, done it. Showbiz running through her blood, <span style="font-size:12pt">you can’t shock her but she’ll shock you, as she says what’s really on her mind. Comic. Low alto </span><span style="font-size:12pt">belter.
(actor does not have to actually play piano)</span></div>
<div><b>Pam</b> – 30s-40s - Jerry’s estranged wife, a realist, wrestles with her feelings about Jerry. Loves him, <span style="font-size:12pt">but has learned to be disappointed. Alto w/belt.</span></div>
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</b></div>
<div><b>(4) Males</b></div>
<div><b>Note</b>: Moderate dance skills required for all male principals</div>
<div><b>Dave</b> – 30s-40s unemployed steel work, lovable, good natured soul with body weight and self-esteem <span style="font-size:12pt">issues. Must be comfortable with your belly to proudly wield it with all its pride and glory. Lyric tenor </span><span style="font-size:12pt">with
falsetto</span></div>
<div><b>Malcolm</b>- 25-30s – shy, awkward, friends are worried about his mental state, he transforms from <span style="font-size:12pt">desperately lonely to deeply loving. High tenor with smooth falsetto.</span></div>
<div><b>Ethan</b> – 25-30s – optimistic, energetic, farm boy handsome, well-built, athletic; he’s not a great <span style="font-size:12pt">dancer, but he’ll try anything…High baritone/tenor</span></div>
<div><b>Noah “Horse” T. Simmons </b>– 50s -retired African American steel worker, gentle demeanor, excellent <span style="font-size:12pt">mover with great deadpan comic timing, Baritone/Tenor</span></div>
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<div>_________________________</div>
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<div><b>LOBBY HERO</b></div>
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<div>Written by Kenneth Lonergan</div>
<div>Reh starts 9/3, previews 9/27-29, opens 10/1, closes 10/20</div>
<div><b>Directed by</b>: Megan Sandburg-Zakian</div>
<div><b>Synopsis</b>: Kenneth Lonergan’s dramedy. Jeff, a luckless, but likable 20-something security guard is <span style="font-size:12pt">drawn into a local murder investigation involving Bill, his tightly wound Black supervisor, who has been </span><span style="font-size:12pt">called
upon to bear false witness to protect his troubled brother. When Jeff decides to reveal a big </span><span style="font-size:12pt">secret about the crime to his secret crush, all hell breaks loose when she decides to tell her </span><span style="font-size:12pt">unscrupulous
macho-cop partner. The play echoes contemporary issues of “Me too,” and impact of racial prejudice.</span></div>
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<div><b>Seeking</b>:</div>
<div><b>(1)Female</b></div>
<div><b>Dawn</b>- 20’s, White, Rookie cop. Tough. Vulnerable, guarded. Smart.</div>
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<div><b>(3)Males</b></div>
<div><b>Jeff</b>- late 20s, White. Uniformed security guard. Talkative and curious. Somehow both anxious and <span style="font-size:12pt">relaxed, tranquil and uncomfortable.</span></div>
<div><b>William</b>-late 20s-30s – Black. Serious. Responsible, intense, ambitious.</div>
<div><b>Bill</b>- 30s – White. A policeman, Charming, arrogant, pathological. Aggressive and performative, with <span style="font-size:12pt">his warmth as well as his rage.</span></div>
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<div>___________________</div>
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<div><b>IT’S A WONDERFUL LIFE: LIVE FROM WVL RADIO THEATER</b></div>
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<div>Adapted by WVR Repoley from the motion picture by Frank Capra</div>
<div>Reh start 10/29, previews 11/22-24, opens 11/26, closes 12/22</div>
<div><b>Directed by:</b> Margaret E. Hall</div>
<div><b>Synopsis</b>: George Bailey and all the residents of Bedford Falls, as you’ve never seen - or heard -- <span style="font-size:12pt">them before. Based on the classic Frank Capra film, the story comes to life as a live, 1940s radio </span><span style="font-size:12pt">broadcast.
Five actors give voice to all the memorable Bedford Falls characters, accompanied by </span><span style="font-size:12pt">sound effects and music created live on stage.</span></div>
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<div><b>Seeking</b></div>
<div><b>NOTE</b>: Actors who play instruments a plus (esp. guitar, mandolin, ukulele, violin)</div>
<div><b>(2) males</b></div>
<div><b>LEE WRIGHT</b> - late 20’s-30’s; A charismatic go-getter always full of energy. The resident Foley artist <span style="font-size:12pt">for the station, and a true artist of the craft, he is also very good with voices and dreams of being an </span><span style="font-size:12pt">on-air
actor. He is in love with Evelyn. Plays: Joseph, George, Harry and Martini for the broadcast.</span></div>
<div><span style="font-size:12pt"><b>MAYS</b> - mid-30’s-40’s; Long-time character actor and well-known to the WVL Listeners. In a secret </span><span style="font-size:12pt">relationship with Kitty and scared to let anyone know about it. Very good with voices
and vocal Foley </span><span style="font-size:12pt">sounds. Plays: Franklin, Clarence, Gower, Bailey, Potter, Billy, Bert, Sam, Man, Mrs. Hatch, Tom, </span><span style="font-size:12pt">Pete, Tommy, Nick and Sherriff for the broadcast.</span></div>
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<div><b><span style="font-size:12pt">(2) females:</span></b></div>
<div><b>EVELYN REED</b> - mid-20’s to 30’s; Appears to be a bit meek and thus fits in well as the <span style="font-size:12pt">station’s secretary and general domestic support crew. Has a bit of theatre in her background and </span><span style="font-size:12pt">when
handed the challenge, steps up to the plate and proves she’s got what it takes to be an on-air </span><span style="font-size:12pt">actor. Plays: Mary, Carter, Owner and Cop for the broadcast.</span></div>
<div><b>KITTY DAYLE</b> - 30’s-40’s; Character actor with a lot of talent and strong feminine wiles. In a <span style="font-size:12pt">secret relationship with Mays and completely fed up with the secrecy. Very good with voices. Plays: </span><span style="font-size:12pt">Violet,
Ernie, Mrs. Bailey, Dr. Campbell, Tilly, Ruth, Maria, Mrs. Randall, Mrs. Thompson, Teller, Janie, </span><span style="font-size:12pt">Zuzu and Driver for the broadcast.</span></div>
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<div>______________________</div>
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<div><b>YOUR BEST ONE (East Coast Premiere)</b></div>
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<div>Written by Meridith Friedman</div>
<div>Reh starts 12/17, off 12/24-26 and 1/1, previews 1/17-19, opens 1/21, closes 2/9/2020</div>
<div><b style="font-size:12pt">Directed by</b><span style="font-size:12pt">: Gordon Greenberg</span></div>
<div><b>Synopsis</b>: Richard and David had it all: great jobs, a great Manhattan apartment and a great relationship. It seemed a natural thing to adopt a child to share their good fortune, right? Whoops! <span style="font-size:12pt">Rewind! Richard’s fear
of commitment reared its head and out he walked. Now, eight years later, a </span><span style="font-size:12pt">crisis brings him back, to be forgiven, to be useful, to be family.</span></div>
<div><span style="font-size:12pt"><b>Note</b>: The role of David is cast. The role of Josh will be cast with a local teen.</span><br>
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<div><b>Seeking</b>:</div>
<div><b>(2)Males:</b></div>
<div><b style="font-size:12pt">Richard</b><span style="font-size:12pt">: mid-late 50’s. Not a cold man, but his default is not a smile. Physically fit, handsome and </span><span style="font-size:12pt">naturally magnetic. He’s never had to make much of an effort…until
now. Logical. Problems are to be </span><span style="font-size:12pt">solved. Dry sarcasm. Age is softening him. He has always loved David, and still does.</span><br>
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<div><span style="font-size:12pt"></span></div>
<div><span style="font-size:12pt"><b>Oscar</b>: late 80’s. Richard and Laura’s father. Physical ailments have destroyed his body. Still, he </span><span style="font-size:12pt">manages to be imposing. Most often found complaining. But, like Richard, age has
softened him…a </span><span style="font-size:12pt">bit. Oscar and David have a connection of the beloved father-in-law/son-in-law – even though David </span><span style="font-size:12pt">and Richard never married.</span></div>
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<div><b>(1)Female:</b></div>
<div><b>Laura</b>: late 40’s. Richard’s younger sister and Oscar’s daughter. Refreshingly, or maddeningly, <span style="font-size:12pt">unfiltered depending on whom it is she is talking too. The last one to leave the party. Laura is more </span><span style="font-size:12pt">‘hip’
than Richard, she has a Facebook page and knows how to use it. She and David also have a </span><span style="font-size:12pt">loving connection.</span></div>
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<div>_______________________</div>
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<div><b>THE IRISH…And How They Got That Way</b></div>
<div><br>
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<div>By Frank McCourt, with the music of Ireland</div>
<div>Reh starts 2/11/20, previews 3/6-8, opens 3/10, closes 4/5/2020</div>
<div>Directed by: Maggie Mancinelli-Cahill, Chor: Freddy Ramirez, Musical Dir: Josh D. Smith</div>
<div>A rollicking, roller coaster of a ride, compiled by Frank McCourt (Angela’s Ashes), who brings his wit, <span style="font-size:12pt">trademark bitter and boundless love of his people to this revue about all things Irish. This show </span><span style="font-size:12pt">delivers
what it promises: stirring blarney, a bit of hokum, genuine heartache and much joy. Set in </span><span style="font-size:12pt">McCourt’s Pub, complete with a working bar, the narration weaves a buoyant blend of traditional </span><span style="font-size:12pt">songs,
show tunes and pop – from “Danny Boy” to George M. Cohan to U2.</span></div>
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<div><b>Seeking</b>:</div>
<div><span style="font-size:12pt">Ensemble of 5 actor/storyteller/musicians. Seeking versatile actor/musicians who sing, dance a bit and </span><span style="font-size:12pt">move well, all with verbal dexterity. All have Irish accents. Instruments (advanced
level playing skill): </span><span style="font-size:12pt">Fiddle, Flute/piccolo player/whistle player, Guitar/Banjo/Mandolin, Percussionist/bodhran, cajon, bells, </span><span style="font-size:12pt">tambourine, hand drum</span><br>
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<div><b>(3) Men:</b></div>
<div><span style="font-size:12pt">2 tenors, 1 baritone – ages 20s-50s</span><br>
</div>
<div><br>
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<div><b>(2) Women:</b></div>
<div><span style="font-size:12pt">1 soprano/1 mezzo/alto – ages 20’s-50s</span><br>
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<div>_____________________</div>
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<div><b>SISTER ACT</b></div>
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<div>Music by Alan Menken, Lyrics by Glenn Slater, Book by Cheri and Bill Steinkellner</div>
<div><span style="font-size:12pt">Based on the Touchstone Pictures Motion Picture, Sister Act, written by Joseph Howard</span><br>
</div>
<div><span style="font-size:12pt">Reh starts 6/16/2020, previews 7/10-12, opens 7/14, closes 8/16/2020</span><br>
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<div><span style="font-size:12pt">Directed by Maggie Mancinelli-Cahill, Chor. Freddy Ramirez, Musical Dir: Josh D. Smith</span><br>
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<div><br>
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<div><b>Synopsis</b>: When lounge singer, Deloris Van Cartier, witnesses a murder, she is put in protective <span style="font-size:12pt">custody in the one place the cops are sure she won’t be found: a convent. Disguised as a nun, the </span><span style="font-size:12pt">Vegas
diva finds herself at odds with a starched Mother Superior, but using her dance moves and singing talent to inspire the choir, Deloris breathes new life into the community – and herself as well. </span><span style="font-size:12pt">Filled with rock, pop and
powerful gospel music.</span></div>
<div><br>
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<div><b>Seeking principals:</b></div>
<div><b>(5) Females</b></div>
<div><b>Delores Van Cartie</b>r - late 20s-30s, Black, sassy, brassy, fun, disco diva with a big heart, capable of <span style="font-size:12pt">transforming, as she discovers all that she can be. Big soprano belt.</span></div>
<div><b>Mother Superior</b> – 50-60s – White. On the surface, stiff, disciplined, prudish, but is transformed <span style="font-size:12pt">through music and Delores’ tenacity. Mezzo soprano, legit and belt.</span></div>
<div><b>Mary Roberts </b>– 20s – White. shy, wallflower, soft-spoken, finds her voice through the music and spirit <span style="font-size:12pt">that Delores brings to the convent. Big voice, high soprano belt</span></div>
<div><b>Mary Patrick</b> – 30s-50s, a large women in every way, happy, joyful, very excitable, one might say, <span style="font-size:12pt">pathologically perky. Soprano</span></div>
<div><b>Mary Lazarus</b> – 60s – deadpan, hilarious, wise-cracking, former choir leader. Alto.</div>
<div><br>
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<div><b>(6) Males</b></div>
<div><b>Curtis Jackson </b>– 40s – Black. Intimidating. Tough guy, gangster. He means business. He’ll stop at <span style="font-size:12pt">nothing to find Delores. Tenor/high Ab, sings “When I Get My Baby.”</span></div>
<div><b>Joey</b> - 20s-30s – White. Not so smart, body guard, a ‘bouncer’ type: strong build, sings ala Bee-<span style="font-size:12pt">Gees/4 Seasons with Pablo and TJ. Tenor/falsetto.</span></div>
<div><b>Pablo</b> – 20s - only speaks in Spanish – completely Vegas, Sings like the BeeGees/4 Seasons with <span style="font-size:12pt">Joey and TJ, Must speak Spanish. Tenor/very high falsetto.</span></div>
<div><b>TJ</b> – 20s-30s – Black. Flashy, beefy, guy you want on your side. Sings like the Bee Gees/4 Seasons <span style="font-size:12pt">with Pablo and Joey. Tenor/falsetto</span></div>
<div><b>Eddie Souther</b> – 30s – Black. Desk Chief cop, shy, nicknamed “sweaty Eddy,” nervous under <span style="font-size:12pt">pressure, not confident with women. We care about him and want him to get together with his </span><span style="font-size:12pt">longtime
crush, Delores. Tenor/high B.</span></div>
<div><b>Monsignor O’Hara</b> – 60s – Appears to be traditional, disapproving of all-things outside the rules and <span style="font-size:12pt">regulations of the church, but transforms with the music and Delores’ persuasive energy. High </span><span style="font-size:12pt">baritone.</span></div>
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<p style="margin-top:0; margin-bottom:0"><span style="font-family:Calibri,Helvetica,sans-serif,serif,EmojiFont; font-size:16px">E</span></p>
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<p style="margin-top:0; margin-bottom:0">Best,</p>
<p style="margin-top:0; margin-bottom:0">Alana</p>
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<p>Alana Canty-Samuel</p>
<p>Assistant Company Manager/PA</p>
<p>Capital Repertory Theatre</p>
<p>acanty-samuel@capitalrep.org</p>
<p>518-382-3884 x418</p>
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