[Capdist-announce] Catskill’s “Little Theatre That Can” Celebrates Survival In Its 2022 Season

[Steven Patterson]

“To tell you the truth, I’m amazed we’re both still ambulatory,” groans
Steven Patterson, one of the co-founders of Bridge Street Theatre.

Patterson and his partner John Sowle, who converted a once-derelict factory
building in the Village of Catskill into an arts complex early in 2014 and
have since transformed it into one of the most adventurous and exciting
small theater companies in the Hudson Valley region, were hit hard when
COVID19 shut everything down in mid-March 2020.

“We’d just held a hugely successful benefit performance featuring Edmund
Bagnell in February and were all set to launch into our full season when
everything came crashing down,” says Sowle, the theatre’s Artistic and
Managing Director. “As a space dedicated to live performance, the fact that
suddenly no one was able to gather in groups pretty much froze us in our
tracks. We’d initially hoped, of course, that things would return to
‘normal’ soon and that we’d be able to salvage at least some of the work
we’d planned to present. But before too long it became fairly obvious that
we were going to be in this for the long haul.”

But while the pandemic definitely slowed things down, it couldn’t stop them
entirely. The pair hunkered down to try and figure out what the theatre
could do to move forward – and to survive!

“John and I had been creating theatre together since 1986 and had a huge
backlog of archival videos of productions we’d presented,” says Patterson.
“We hauled those out, John edited and enhanced them as much as he was able,
and we wound up posting as many of them as we could receive permission to
post – which turned out to be 25 – free of charge on Vimeo. I did a series
of Bedtime Story readings for kids, which we posted for free on YouTube.
About midway through the year, we brought in two of the solo shows we’d
originally hoped to present, filmed them live on our stage without an
audience, and posted them online as ticketed events, sharing the proceeds
with the artists. We also partnered with La Mama ETC in NYC for a
livestream from our stage of Concrete Temple Theatre’s “Geppetto”, and with
the Orlando-based steampunk horror troupe “Phantasmagoria” for a Halloween
Weekend online presentation of their show “Plague Tales”.

As 2021 came in, and the situation remained unstable, the theatre was
approached by Duke Dang of the Works and Process Series at Manhattan’s
Guggenheim Museum about the possibility of hosting a series of bubble dance
residencies. Utilizing Bridge Street’s artist housing, the dancers were
then able to isolate and use the theatre’s mainstage and technical
facilities to develop new works. This program ran from January through June
of 2021, hosting twelve different dance companies, and was so successful
that it was re-instituted during the first few months of 2022.

As the COVID pandemic began to ease somewhat, Bridge Street was able to
re-instate occasional live performance, with a limited seating capacity to
allow for social distancing and proof of vaccination and masking required
for entry. One of the theatre’s most successful annual events, Bridge
Street Belly Dance,  made a triumphant two-performance return in June.
Those performances were filmed and transformed by filmmaker JD Urban into a
stunning concert documentary called “Before”, which has since screened to
great acclaim at Bridge Street Theatre, Hudson Hall, and numerous film
festivals. Jazz vocalist Charles Turner, composer Sean Mason, and
playwright Marcus Scott brought a one-performance “tasting” of a new
musical they’d been working on during a residency at Catskill’s Catwalk
Institute to BST’s Mainstage in late July, and have since returned to BST
for a week-long residency (and performance) in February of 2022. During the
summer, the theatre instituted a Youth Musical for local students and
alumni, whose own performance opportunities had also been forestalled by
the pandemic. A two-weekend run of “The Addams Family Musical: Quarantine
Edition” as presented August 12 – 22.

And finally, with a nod from Actors’ Equity Association, Bridge Street was
able to roar back to life with three of the productions they had originally
hoped to present in 2020 – Fred Barton’s musical revue “Miss Gulch
Returns!” (which won “Best Solo Performance” at the 2021 Berkshire Theatre
Critics “Berkie” Awards), Samuel D. Hunter’s “Lewiston”, and Eugene
O’Neill’s classic tragedy “Long Day’s Journey Into Night”.

The theatre is now proceeding with caution (but unbridled enthusiasm) with
plans for its first full season since 2019. “This enforced pause, if you
can call it a pause, definitely confirmed a number of things for us,” says
Patterson. “It’s strengthened our already firm commitment to presenting new
works - works with a strong human connection and characters that audiences
truly care about. Having to do more with less lately has re-affirmed our
esthetic of making maximal imaginative use of our minimal means. It’s also
demonstrated just how loyal our core audience in the region is and how much
they want us to succeed. And we’ve also discovered reserves of strength I’m
not sure we suspected we had. It’s been an exhausting, but exhilarating,
couple of years.”

“We’d also be remiss if we didn’t give big thanks for the financial aid
we’ve received during these tough times,” says Sowle. “Our patrons came
through bigtime during our Fall Fundraising Appeal. EID loans, and grant
monies from NYSCA and the Restart NY program, not to mention the grant
monies we received for hosting the amazing artists’ residencies in our
space, have been instrumental in helping us keep our heads above water.
Sometimes literally – we actually had a couple inches of water in the
theatre at one point during 2021.”

Plans are now moving ahead for the theatre’s 2022 Season, which they’re
calling (appropriately enough) “Celebrate Survival”. The five-play slate
they’ve scheduled includes a regional premiere (Samuel D. Hunter’s
“Clarkston”, which is the companion piece to last year’s critically
acclaimed production of his “Lewiston’, opening on April 28 and playing
through May 8), an East Coast premiere (Eric Pfeffinger’s unexpectedly
hilarious “Fourteen Funerals” June 2-12), a commissioned world premiere
(Brad Fraser’s “Shelley’s Shadow” September 8-18), a U.S. premiere (Hannah
Moscovitch’s “Sexual Misconduct of the Middle Classes”, winner of the 2021
Canadian Governor General’s Award for English Language Drama, October
13-23), and an American classic – even if it is set in England (James
Goldman’s “The Lion in Winter” November 10-20). They’ve also planned an
exciting slate of imported theatre, readings, music, dance, and more, as
well as another Student Musical production, for the summer months.

“We often say that when folks walk through the doors of our scrappy little
theatre, it’s pretty much guaranteed they’re going to see work they’re
unlikely to see anyplace else in the region,” says Sowle. “Want plays
that’ll make you think and feel? This is the theatre you want to come to.
We’re back, we’ve survived, and we’re so relieved. Hope you’ll all come
share in the celebration.”

For more information on Bridge Street Theatre, winner of Best
Theater/Performance Space for four consecutive years in the annual “Best of
Greene County Awards”, as well as detailed information on their 2022
performance calendar, visit their website at BridgeStreetTheatre.org.

Other links:
Archival Videos: https://bridgest.org/archival-videos/
Bridge Street Bedtime Stories:
https://bridgest.org/bridge-street-bedtime-stories/
Dance Residency Videos: https://bridgest.org/2021-dance-residency-videos/

For more information, interviews or press passes contact john at bridgest.org or
518-478-5982 (cell)
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