[Capdist-auditions] CAT ON A HOT TIN ROOF - corrected announcement (roles added)
LWAndruski at aol.com
LWAndruski at aol.com
Sat Jun 9 09:48:31 EDT 2007
The Delta Xi cast of Alpha Psi Omega, the National Theater Honor Fraternity
at Rensselaer Polytechnic Institute, will hold auditions for Tennessee William
’s Cat on a Hot Tin Roof on Tuesday, June 26 and Wednesday, June 27 at 7:00
pm in Mother’s Emporium, lower level of the RPI Union, 15th and Sage Avenue
in Troy, NY. Show dates are September 7th, 8th, 14th and 15th at the RPI
Playhouse on 15th Street in Troy. Cat on a Hot Tin Roof will be directed by
Amanda Brinke. No prepared monologue necessary. Actors will read directly from
the script.
Cat on a Hot Tin Roof is the story of a Southern family in crisis, focusing
on the turbulent relationship of a wife and husband, Maggie "The Cat" and
Brick Pollitt, and their interaction with Brick's family over the course of one
evening gathering at the family estate in Mississippi, ostensibly to
celebrate the birthday of patriarch and tycoon "Big Daddy" Pollitt. Maggie, through
wit and beauty, has escaped a childhood of desperate poverty to marry into the
wealthy Pollitt family, but finds herself suffering in an unfulfilling
marriage. Brick, an aging football hero, has neglected his wife and further
infuriates her by ignoring his brother's attempts to gain control of the family
fortune. Brick's indifference, and his nearly continuous drinking, date back to
the recent suicide of his friend Skipper. Big Daddy is unaware that he has
cancer and will not live to see another birthday; his doctors and his family
have conspired to keep this information from him and his wife. His relatives are
in attendance and attempt to present themselves in the best possible light,
hoping to receive the definitive share of Big Daddy's enormous wealth.
(Source: Wikipedia)
Available Roles:
Margaret - The play's cat. Maggie's loneliness and Brick's refusal to make
her his desire, has made her hard, nervous, and bitchy. The woman constantly
posing in the mirror, Maggie holds the audiences transfixed. The exhilaration
of the play lies in the force of the audience's identification with its
gorgeous heroine, a woman desperate in her sense of loneliness, who is made all
the more beautiful in her envy, longing, and dispossession.
Brick - The favorite son and mourned lover. Brick embodies an almost
archetypal masculinity. At the same time, the Brick before us is also an obviously
broken man because of his repressed homosexual desire for his dead friend
Skipper.
Big Daddy - Brick's father. Affectionately dubbed by Maggie as an
old-fashioned "Mississippi redneck," Daddy is a large, brash, and vulgar plantation
millionaire who believes he has returned from the grave. Though his coming
death has been quickly repressed, in some sense Daddy has confronted its
possibility. In returning from "death's country," Daddy would force his son to face
his own desire.
Big Mama - Brick's mother. Fat, breathless, sincere, earnest, crude, and
bedecked in flashy gems, Mama is a woman embarrassingly dedicated to a man who
despises her and in feeble denial of her husband's disgust. She considers
Brick her "only son."
Mae - A mean, agitated "monster of fertility" who schemes with her husband
Gooper to secure Big Daddy's estate. Mae appears primarily responsible for
the burlesques of familial love and devotion that she and the children stage
before the grandparents.
Gooper - A successful corporate lawyer. Gooper is Daddy's eldest and least
favored son. He deeply resents his parents' love for Brick, viciously
relishes in Daddy's illness, and rather ruthlessly plots to secure control of the
estate.
Reverend Tooker - A tactless, opportunistic, and hypocritical guest at Big
Daddy's birthday party. As Williams indicates, his role is to embody the lie
of conventional morality. Note especially in Act III his off-hand anecdote
about the colors of his cheap chasuble fading into each other.
Doctor Baugh - The sober Baugh is Daddy's physician. He delivers Daddy's
diagnosis to Big Mama and leaves her with a prescription of morphine.
The Children - Mae and Gooper's children. They appear here as grotesque,
demonic "no- necked monsters" who intermittently interrupt the action on
-stage. Under Mae's direction, they offer up a burlesque image of familial love and
devotion.
The servants - The plantation servants appear throughout the play. Note
Williams's references to "Negro voices." In the birthday scene, they appear
laughing at the edges of the stage, functioning to almost ornament the grotesque
tableau.
Alpha Psi Omega is a National Theater Honor Fraternity. The Delta Xi Cast is
associated with Rensselaer Polytechnic Institute, and has been in existence
since 1937. We welcome both student and community members for acting and
production roles.
Producer Greg Zabielski is also seeking the following production roles:
- Stage Manager
- Set Designer
- Master Carpenter
- Props Master
- Costume Designer
- Master Electrician
- Sound Designer
- Light Designer
- Publicity Director
- Hair and Make-up Person/People*
- House Manager*
- Box Office Manager*
The last three production roles* do not have to be present in Troy during
the summer, but interested parties should apply for them now. Deadline for
production roles is Wednesday, June 20th.
Submissions should be made by email or if that is not possible, by phone to:
Greg Zabielski, Producer
Email : _VigilantThief at gmail.com_ (mailto:VigilantThief at gmail.com)
Phone: 518 301 5849
************************************** See what's free at http://www.aol.com.
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