[Capdist-auditions] OPEN AUDITIONS

Elaine Fernandez e.fernandez.rhinecliff at gmail.com
Thu Jan 19 07:08:58 EST 2017


*OPEN AUDITIONS*

Open auditions for four new short plays by Hudson Valley Playwrights.  “The
Note” by Marianna Boncek, “Shuttlecock” by Dana Page, “Daddy’s Girl” by
Nadeen Currie, and "Live Free or Die" by Elaine Fernandez.

The Plays are part of a larger multi-media art show depicting life for the
average middle class family from the 1950s to now.  Casting for male and
female roles, ages 14 to 70.  Performances in April.

Details: hudsonvalleyplaywrights at gmail.com

Questions: hvp at warriorproductions.biz / 518-256-0714 <(518)%20256-0714>.

*AUDITION DATES:*

Sunday 1/22 from 2-4pm

Tuesday 1/24 from 6-8pm

Auditions will be held in the Frazier Room at the Starr Library, 68 West
Market Street in Rhinebeck.  Sides will be provided at the auditions.

*CHARACTERS:*

BERTIE: Older woman—mid 50s to 60s. She is common sense from head to toe.


MARGE PHILLIPS: A woman in her 60s. Very worn and tired.

JACK DIVINE: Male, 40 something  (He ages from 28 to 46 during the course
of the play.)  A WW2 Veteran and a conservative, neurotic dad of the
1950s/60s.

LINDA JEAN: Female, 18-20 years old. Flower child of the late 1960's.

RUSSELL:  Male, early 20s. Draft dodging hippie dude of the late 1960's.

WENDY:  Late teens, early 20s – ditzy, desperate and willing to do anything
for a boyfriend.

STARR: Late teens to early 20s - smart, sarcastic, bitter and full of angst.

UNCLE MERV:  Late 40s-early 50s - A Vietnam vet.  Sleazy, inappropriate and
snarky.

RUSSELL KUPIAK:  Late 40s – early 50s - Russell is high energy, irritating,
nerdy type of normal, emotionally unavailable Dad.


With warmest regards,
Elaine Fernandez
<http://t.sidekickopen68.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XZs1qMMVdVRzRwH1qMTzvVd0tpR56dxRyf19BHDF02?t=http%3A%2F%2Fwww.warriorproductions.biz%2F&si=5475889794777088&pi=8fa9214e-93bc-4687-9ef8-3d4c42be5a91>
*“Don’t tell me the moon is shining; show me the glint of light on broken
glass.” - Anton Chekhov*
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