[Capdist-auditions] GHENT PLAYHOUSE ANNOUNCES OPEN AUDITIONS FOR RUTHLESS! THE MUSICAL: February 5 and 6

[Michael McDermott]

GHENT PLAYHOUSE ANNOUNCES OPEN AUDITIONS FOR RUTHLESS!  THE MUSICAL
“The stage mother of all musicals”

Music by Marvin Laird; Book and Lyrics by Joel Paley
Directed and Choreographed by Michael C. Mensching and Michael McDermott
Musical Direction by Joanne Mensching

Sunday, February 5 and Monday, February 6, 2023
7:00-9:00 p.m.
Callbacks, if necessary:  Tuesday, February 7, 2023, at 7:00 p.m.

At The Ghent Playhouse
6 Town Hall Road
Ghent, New York, 12075

SYNOPSIS:
“Ruthless” is the story of a naïve 1950’s housewife, Judy Denmark, and heradorable but sociopathic 12-year-old daughter, Tina, who knows she was born toplay Pippi Longstocking, and will do anything to win the part in her schoolmusical.  Encouraged by her manager, Sylvia St. Croix, Tina will stop atnothing in her quest for stardom!

Cunningly spoofing classic musicals and campy films from “Gypsy” to “The BadSeed,” this aggressively outrageous musical garnered rave reviews during itslong Off-Broadway run.

ABOUT THE PLAY:
Ruthless!  The Musical is a very funny, fast-paced and wickedly twistedmusical comedy with 8 distinct roles.  There is no “ensemble.”  Withthe exception of the non-singing role of Miss Block, all of the characters havesolo numbers.



CHARACTERS:

TINA DENMARK: (presenting as an 8-13 yo – Strong belt –E flat mix preferred forvocal safety) – An adorable mega-talented “triple threat,” who turns into aruthless 12 year old diva with a penchant for murder!  Tina manipulates byswitching from sweet to murderous on a dime!  Must be credible as an“Annie wannabee.”  Tap dancing also required.  NOTE:  The roleof Tina does use some foul language.  
 
JUDY/GINGER: (30-50 yo – Mezzo belter with a pleasinghead voice, as well) – Tina’s mother.  A simple June Cleaver-type 1950’shousewife and mother who, after uncovering her hidden talents, is transformedinto Ginger, a Norma Desmond-type Broadway diva.  Imagine Donna Reedturning into Joan Crawford.   

SYLVIA ST. CROIX:  (30’s-60’s, played by a man –Baritone) - The stereotypical “in-your-face” talent manager, with a mysteriouspast, who is obsessed with making Tina a star; a cross between Auntie Mame andMama Rose, with a touch of Cruella Du Ville.  

LOUISE LERMAN:  (8-13 yo –Mezzo belter) – That other 12-year-old!  The one whose parents financiallysponsor the school musical and who surprisingly beats Tina out for the lead inthe show, “Pippi Longstocking Goes to Tahiti!”  She has limited talent but is still a precocious diva.  

LITA ENCORE:  (40ish-60ish –Mezzo with a belt) Tina’s grandmother.  An old-time theater criticwith a poison pen, who hates musicals.  An Ethel Merman-type with a strongbelt.  

MISS THORN/MISS BLOCK:  (30-50yo – Belter who is over life as it is) Tina’s teacher/perky butch sleuthreporter.

EVE:  (20ish - 30ish -Belter) – Efficient personal assistant to Broadway star, Ginger.  Shewants Ginger’s life and copies her ever mannerism.  NOTE:  The character will appear in tastefulundergarments.

WHAT TO PREPARE:
Those auditioning are asked to prepare 16-32 bars of an up-tempo Broadwaypiece, preferably old-school.  An accompanist will be provided. Please no a cappella or taped music for auditions.  

Each participant will also read from the script.

WHAT TO BRING TO THE AUDITION:
Please bring along a current resume and a complete list of conflicts for the period of February 20 through April 30.  Regardingconflicts, please remember vacations and holiday schedules before auditioning,as these may be a factor in the casting process.  Head shots are welcome,but not required.

REHEARSALS:
Rehearsals will begin Monday, February 20 and will typically be Sunday throughWednesday evenings.  Further details TBD after auditions.

PERFORMANCES:  
Performances begin with a Preview on Thursday evening, April 13, 2023 at 7:30p.m. and continue Friday and Saturday evenings at 7:30 p.m. and Sundayafternoons at 2:00 p.m., through April 30, 2023.  

Please note that everyone cast in the production MUST beavailable for every performance.

For further information about auditions or the production, please visit theGhent Playhouse website or contact directors Michael Mensching or MichaelMcDermott, by email, at senor65 at aol.com or irishmike518 at yahoo.com




Michael McDermottHe/Him/His



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